What Anthropics Portrait Professional Studio 10 does, is puts the option for such corrections within reach of almost anyone without the steep learning curve of Photoshop.

Above is a scan of a print my grandfather took of my grandmother’s 1963 Cadillac Eldorado Convertible, quite a car in those days. Yup, it’s suspended in the air by the stream of water coming from the fire hydrant underneath it.

From our location all we could see was a ball of color and treetops, no rainbows, no explanation for the color ball, and other than taking a picture of just the sky or the sky and treetops there was no obvious composition available.

When enjoying photos you occasionally come upon an unusual one that leaves you asking “Why does it work?” or “Why does it look like that?”

When you’re deciding what to point your camera at, think about if you want to show a picture of a pretty building, or if you want to tell a story of a pretty building.

This is the third part in our “Pointing Your Camera” series which is designed to help you filter the scene your eyes are seeing, and find that memorable scene your camera can see.

“BkkSteve, the most difficult thing for me is knowing what to photograph.” This might be the most common question I get during a workshop.